New Lens Wide Angle Wednesday!!

Recently, I was able to obtain the Canon EF 11-24mm f/4L USM lens. I haven't used it too much for personal photos, have used it to capture a couple of my company's events we lit. So the shots I have taken are mostly of my commute. This post is my initial feedback on this lens.

LIRR M7 Interior shot at Penn Station

The lens is big, the front glass element protrudes very far, almost to the point of pushing past the built in lens hood. The lens cap is very large because of that fact, and you cannot mount normal screw filters to this lens. There is a filter slot in the back, and I believe Lee makes an adapter set, but I haven't tried those yet.

In addition to the size, it also is one of the heaviest lenses I have handled. It weighs about 2.5 pounds, which doesn't seem like much until you start lugging it around, either on the camera or in the camera bag. 

Downtown Bound M Train from Queens

But the sharpness of this lens! So far I am finding it to be sharp throughout the frame. And there is also minimal flare from light sources hitting the lens, unlike the fisheye lens and the Tokina 11-16mm f/2.8 lens I used before. 

I need to spend some more time with this lens. It is wide though!! 11mm on a full frame body is amazing! So far I am loving it, I just need to build up my strength so I can bring it everywhere. 

Seagram's Building in Manhattan at night

LIRR Entrance

I was starting to get better at posting frequently. But it has been a little bit since I last posted. So here is a looking up shot of the Long Island Railroad entrance to Penn Station off of 34th Ave. Holidays edition.

Going Down
Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/4, 1/30sec, 125ISO, 11mm

New York State Pavilion Open Gate on Opening Day 50th Anniversary

Springtime in Flushing Meadows-Corona Park
Canon 60D, EF40mm f/2.8, f/8, 1/500sec, 100ISO, 40mm

Wednesday I posted photos from April 22nd of this year through the wide angle lens (World's Fair Wide Angle Wednesday). Today, I am adding some of the photos that were captured through my shorty forty (EF 40mm f/2.8 STM), and one from an old zoom lens I inherited (EF 75-300mm f/4-5.6 USM). 

There is a Long Island Railroad station that serves Flushing-Meadows. It opened for the first World's Fair in 1939. When I first moved to Queens, it was the Shea Stadium stop, but now it is called Mets-Willets Point. This station is only operational during the US Open, and during Mets home games. Since the fall, the LIRR has been utilizing tracks 3 through 4 as a parking lot for some of the trains during the afternoons. 

Red Bird in the wild
Canon 60D, EF40mm f/2.8, f/10, 1/500sec, 100ISO, 40mm

I spotted a Red Bird (9343) in the Corona Yard, the storage facility for the MTA's New York City Transit's 7 Trains. Though referred to as Red Birds, the R33 World's Fair cars were originally light turquoise and white. This car was delivered by the St. Louis Car Company in October of 1963. These cars were taken out of revenue service in November of 2003, so I did get a chance to ride the Red Birds after I moved to NYC. Some of them now serve as artificial reefs down the Atlantic Cost, a few are being preserved, and some, such as this one, serve as work cars.

Also visible in that photograph are the USTA Billie Jean King National Tennis Center, where the US Open is held, and the Unisphere, and the Observation Towers of the New York State Pavilion. The larger stadium is Arthur Ashe Stadium, which is the world's largest tennis specific stadium. It opened in 1997. The smaller stadium is Louis Armstrong Stadium, named after the jazz musician who lived close by in Corona, Queens. It served as the main stadium from 1978 until 1997 when Arthur Ashe Stadium opened.

Silver, silver, black and yellow
Canon 60D, EF40mm f/2.8, f/8, 1/200sec, 100ISO, 40mm

I walked further south making my way to the Pavilion and took a quick shot of a work train at rest. It is never a good sign when you see one of these barreling through a station at night, so I prefer to observe a work train in these conditions.

Unisphere looking North towards Arthur Ashe Stadium in Springtime
Canon 60D, EF40mm f/2.8, f/9, 1/250sec, 125ISO, 40mm

The Unisphere is one of the most iconic images of Queens, if not New York City as well. It was built on top of the Perisphere's foundation from the previous World's Fair, and was a gift from United States Steel Corporation. It features three rings, one to represent the orbit of Yuri Gagarin, the first man in space (Russian Cosmonaut), John Glenn, the first American in space, and Telstar, the first active communications satellite. 

Dry Unisphere and Queens Museum
Canon 60D, EF40mm f/2.8, f/8, 1/400sec, 320ISO, 40mm

The Unisphere is located just outside of the Queens Museum, where I spent some of the time waiting. The thing is massive! The people in the above photograph give you a sense of the scale. It is 140' tall, and weighs 700,000lbs with a 100ton inverted tripod. 

LGA, Riker's Island, Flushing Meadows-Corona Park, College Point from the "air"
Canon 60D, EF40mm f/2.8, f/3.5, 1/80sec, 1600ISO, 40mm

As I wrote previously, the Panorama of the City of New York is where I spent some of my time waiting. The following are some more detail shots, since they weren't taken with the wide angle lens. 

Flushing Meadows-Corona Park from the South looking North
Canon 60D, EF75-300mm f/4-5.6 USM, f/4.5, 1/320sec, 6400ISO, 40mm

When the Fair closed, the Panorama remained open to the public, and the map was updated regularly until 1970. It wasn't updated from 1970 until 1992, when 60,000 structures were added. Beginning in 2009, the Museum decided to try to keep it updated more regularly. People and organizations can donate money to adopt an accurate scale model of their building. The first updated model was the Mets' CitiField, which replaced Shea Stadium in 2009.

Downtown Manhattan
Canon 60D, EF40mm f/2.8, f/3.5, 1/125sec, 1600ISO, 40mm

One of the buildings that no longer exist in the skyline, the World Trade Center's Twin Towers, still remain on the map. They will be replaced when construction at the site is finished and the new buildings are complete, rather than a hole in the map.

Waiting...
Canon 60D, EF40mm f/2.8, f/5, 1/320sec, 125ISO, 40mm

After heading back to the gates of the Tent of Tomorrow, I waited outside for our number to be called. Hardhats were required once inside. I noticed they had placed blue decorative balls ontop of the rods just above the entrance, as it looked 50 years prior. And a flag was hung there as well.

Towers through the Tent
Canon 60D, EF40mm f/2.8, f/8, 1/1000sec, 125ISO, 40mm

I finally made it inside! We were told we had 10 minutes, so I tried to make the most of it, capturing some images with my shorty forty and switching to the wide angle lens. This was a once in a lifetime opportunity for me.

West Entrance with Texaco
Canon 60D, EF40mm f/2.8, f/8, 1/250sec, 125ISO, 40mm

They had restored some of the signage, such as the Texaco sign.

 

Planters
Canon 60D, EF40mm f/2.8, f/8, 1/250sec, 125ISO, 40mm

And the Restaurant sign as well...

Stitched Together
Canon 60D, EF40mm f/2.8, f/8, 1/250sec, 125ISO, 40mm

I took several photos and used Microsoft's Image Composite Editor to create this large image above. 15 images were combined to create the final product.

My time was up, I left and headed back to the LIRR to head home to Northeastern Queens. As I passed the Unisphere, I turned around and captured one final image of the Pavilion. One final image that day, as I have returned multiple times since April to the park and always seem to photograph it. 

Remnants of the World's Fair in Spring
Canon 60D, EF40mm f/2.8, f/8, 1/400sec, 320ISO, 40mm

Another Vanishing Point

Recently received some feedback from a couple of friends that said they loved the vanishing point post. So this post is for you!

Sunrise in Queens
Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/4, 1/320s, 640ISO, 16mm

Living in New York City, I am constantly seeing vanishing points. The straight railroad tracks of the commuter railroads and subways, the grid pattern of streets in Manhattan, the rising modern skyscrappers, I can't escape them!

34th Street Vanishing Point
Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/4, 1/50s, 100ISO, 11mm

This shot of 34th Street was taken from a rooftop, about 9 stories high. This was a single image, but due to the lighting conditions, I ended up creating an HDR image out of the single RAW file. I will share this processes in a future post.

Wild Asia Monorail Wait
Canon 60D, EF 75-300mm f/4-5.6, f/8, 1/400s, 800ISO, 75mm

This shot from the Bronx Zoo is from a telephoto lens I inherited from my uncle. My family and I are members of the Wildlife Conservation Society, which grants us admission to four zoos and an aquarium. Needless to say, we take full advantage of our membership and are at a zoo a lot. 

Highline Park
Canon 60D, EF-S 18-135mm f/3.5-5.6, f/8, 1/125s, 400ISO, 18mm

 Highline Park is a park that was built on the remnants of a former elevated freight train line on the West Side of Manhattan in the Chelsea neighborhood. It is a recent addition to the city, the park that is, the elevated structure was completed in 1934. Interstate trucking reduced the need for the elevated line, leading to destruction of the southern section in the 60s, and the last freight train was in 1980.

Vanishing Points

Canon 60D, EF 40mm f/2.8 STM, f/4, 1/100s, 3200ISO, 40mm

I love a good vanishing point. Forced Perspective and all that jazz. Living in NYC, I am constantly seeing them, from the two tracks leading into and out of my railroad station, to the grid in Manhattan. Part of my brain loves the symmetry of a vanishing point photograph. 

Looking Up for Grace
Canon 60D, EF-S 18-135mm f/3.5-5.6, f/16, 1/6400s, 160ISO, 18mm

Canon 60D, EF-S 18-135mm f/3.5-5.6, f/13, 1/40s, 160ISO, 36mm

Into the Mouth of Madness
Canon 60D, EF 40mm f/2.8 STM, f/8, 1/125s, 640ISO, 40mm