Monday, June 30, 2014

Time for a new car

Montauk Lighthouse
Canon 60D, EF-S 18-135mm f/3.5-5.6 IS, f/14, 1/160s, 100ISO, 52mm
Our station wagon needs more repairs than worth doing. So I'm about to get the old sedan registered and insured back on the road as our primary (only) car. 

Someday I hope to be able to get a car less then a decade old.

Had some great times in the wagon. A trip up to Cape Cod. Numerous trips to the Hamptons for work, countless times to the Bronx Zoo. Apple picking in Connecticut. Brooklyn Botanic Gardens, Coney Island, Jones Beach. Of course the mundane as well, such as trips to Costco, Fairway, Home Depot. But the most important trip that car ever took us on was the day I drove my wife to the hospital, and then when we returned as three. My daughter was brought home in this car, so that is probably why I'm emotional about getting rid of it. 

Apple Picking in Connecticut
Canon 60D, EF40mm f/2.8 STM, f/8, 1/400s, 160ISO, 40mm


And since I don't have the funds I wish I had, I'm hoping I win a new camera!

Best Local Wedding Photographers


I know, camera gear isn't what makes the photos, it is the person behind the camera.  But it would be nice to win a Canon 5d Mark III.  :)


Wednesday, June 25, 2014

Sightseeing Continued! (Wide Angle Wednesday)

Day two of our adventures with the Canadian! As I had stated in the previous post, He was here for a Volvo Technicians Competition. He had another friend that was staying elsewhere, so our first stop was the Port Authority Bus Terminal. Central Park was the first stop of the day, so we entered the park through 59th Street Columbus Circle. 
 
Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/8, 1/500s, 320ISO, 11mm


It was a cool spring day in the city, the type where you are still wearing a jacket but happy to be outside soaking up the sun. Though the trees were still pretty barren in the park, there was no snow or ice, so us New Yorkers and the Canadians were happy to soak up some rays.

We had a full day of sightseeing, so after a little bit of time in Central Park, we headed downtown to the South Ferry Station to take the Staten Island Ferry to Staten Island, then back to Manhattan. The trip from Manhattan to Staten Island takes about 30mins. This is something I have taken most of my visitors from out of state to do, there are great views of the Statue of Liberty, New York Harbor, and best of all, it is free!

Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/8, 1/250s, 100ISO, 11mm


I always enjoy watching Manhattan shrink away from the back the ferry as we head towards Staten Island. When you are walking around downtown, the buildings reach for the sky and you feel so small. But once you start pulling away from Manhattan, you realize how small Manhattan really is, how all of these tall buildings are crammed onto a small little island. 

Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/8, 1/640s, 100ISO, 11mm
Dancing for Liberty
 After our nautical adventures were over once we were back at the South Ferry station, we started making our way to Wall Street, and the World Trade Center. First stop was South Street Seaport, though it was still closed, we spent some time at a park on top of Pier 15. Some more great views of the city from the water's edge.

Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/8, 1/250s, 100ISO, 11mm
South Street Seaport to Brooklyn
From there, it was on to Wall Street. It is amazing how empty the financial district is on a Sunday, a vast difference from the weekdays, or even midtown. I enjoyed pointing out some of the historical buildings on our walk, point out the damage from 1920 Wall Street bombing on 23 Wall Street, amongst many other things. 

Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/8, 1/125s, 125ISO, 16mm
The Freedom Tower is an impressive sight to see. I moved to New York City in July of 2001, so I have watched the non-progress at the site for years, and now, finally, there is a towering beacon from the site. Visible from the Belt Parkway in the outer reaches of Brooklyn, to northern Queens parks, Westchester and New Jersey, it has been very cool to see the progress as the glass tower slowly made its way upward.

The final stop for the day was dinner, in Grand Central Terminal. Two days in a row I was there in the evening. It is a gorgeous venue that everyone should visit if they find themselves in New York City.

All photos in this post were taken with the wide angle Tokina lens. Every shot was processed in Lightroom with lens correction on to help minimize the distortion.


Wednesday, June 18, 2014

Wide Angle Wednesday

Fort Totten

Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/10, 1/125s, 100ISO, 11mm
I had taken a random Tuesday off of work, as I had worked long hours that weekend. It also happened to be the day family friends were passing through on their way from Long Island to upstate. Their travels would have them going by on the highway about half a mile from where I live. As they live in Santa Clarita, California, I don't see them very often. I have known them since before I can remember, I was at their wedding when I was two years old, a little younger than my daughter is now. My wife had recitals fast approaching, and needed to work on her choreography, so I decided to take the toddler with me out of the house and meet the California constituents at a local Bayside gem, Fort Totten.

Plans were made, and a little before lunchtime, we met at a parking lot under the approach ramp to the Throg's Neck Bridge. The Long Island native grew up taking this bridge anytime her family needed an escape north, so it was fun to show her the area around the bridge that she had never seen. I took them through Little Bay Park into Fort Totten. Unfortunately, the battery was closed, but we were able to see some of the historic buildings, and my daughter was able to expend some energy on the playground.



The Castle, home of the Bayside Historical Society
Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/16, 1/125s, 400ISO, 11mm
The Castle is the former Officer's Club, and now houses the Bayside Historical Society. It was built in 1870s in the Late Gothic Revival style, with an expansion in 1887, placed on the National Register of Historic Places in 1986. Source: http://en.wikipedia.org/wiki/Fort_Totten_Officers'_Club

Commanding Officer's House, now Parks & Recreation Northeast Queens Headquarters
Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/16, 1/320s, 400ISO, 16mm
Commanding Officer's House, now Parks & Recreation Northeast Queens Headquarters
Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/16, 1/320s, 400ISO, 11mm

The Fort was purchased in 1857, with construction starting in 1862, and remained in operation in some form until 1974. It is now owned by the City of New York, though the US Army Reserve still maintains a presence on the property. Other agencies located in Fort Totten include the Coast Guard, NYPD, Parks Department, and the FDNY. Most of the older buildings house these organizations, so though there is a large area of parkland, much of the Fort is still off limits for civilians.

FDNY Counseling Unit
Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/8, 1/125s, 100ISO, 11mm
I highly recommend a visit to Fort Totten. The battery is open on the weekends, though I would check the Parks Department Website to make sure.

Friday, June 13, 2014

Vanishing Points

Canon 60D, EF 40mm f/2.8 STM, f/4, 1/100s, 3200ISO, 40mm


I love a good vanishing point. Forced Perspective and all that jazz. Living in NYC, I am constantly seeing them, from the two tracks leading into and out of my railroad station, to the grid in Manhattan. Part of my brain loves the symmetry of a vanishing point photograph. 

Looking Up for Grace
Canon 60D, EF-S 18-135mm f/3.5-5.6, f/16, 1/6400s, 160ISO, 18mm
Canon 60D, EF-S 18-135mm f/3.5-5.6, f/13, 1/40s, 160ISO, 36mm
Into the Mouth of Madness
Canon 60D, EF 40mm f/2.8 STM, f/8, 1/125s, 640ISO, 40mm


Wednesday, June 11, 2014

Wide Angle Wednesday

Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/5, 1/80s, 1600ISO, 11mm

One of the best things about being a New Yorker is having friends visit. I love exploring my city, and it is always fun to take someone new to a few favorite spots. A friend from Canada was visiting, in town for a Volvo mechanic's competition. He had two days to site see, and only had a couple of requests. Wanted a slice of pizza, go to the Top of the Rock, see Times Square, and Grand Central.  

I had recently acquired a new wide angle lens, the Tokina AT-X 116 PRO DX-II 11-16mm f/2.8. This was the lens I would bring with me for the sightseeing, as I wanted to improve my skills with a wide angle. The 40mm pancake lens was probably brought along as well, but the Tokina stayed mounted.  

He arrived Saturday afternoon. After dropping off bags and a little rest, the family and I took him to Flushing-Meadows Park. Started off just walking around the Unisphere, the New York State Pavilion, and ended up going to the Queens Zoo. I enjoyed showing Queens to a visitor; there's more to New York City than Times Square. The fact that he was down for going to zoo made this zoo dork happy. Late lunch/early dinner was a great Italian restaurant named Cara Mia in Jamaica on Hillside Avenue. Only camera phones were used in the afternoon.

Times Square is always better looking at night, so the plan was to do that at night, and then downtown Manhattan the next day.


Fusion
Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/4, 1/250s, 1600ISO, 11mm
A slice of pizza from Pizza Suprema across from Penn Station was the first stop that night, followed by walk through Times Square. Times Square has too many people. But at the same time, I am drawn by the lights and video screens, but only in small doses.

Grand Central Terminal is an amazing cathedral of transportation. Unfortunately, I commute from the catacombs of Penn Station. 


Canon EOS 60D, Tokina Pro DX-II 11-16mm f/2.8, f/2.8, 1/80s, 3200ISO, 11mm

Rockefeller Center was the next stop, with some dessert, and Top of the Rock to end the evening. Unfortunately, we arrived at 11:04p, and they stop sending people up at 11:00p.


Canon 60D, Tokina Pro DX-II 11-16mm f/2.8, f/4, 1/60s, 1600ISO, 11mm

Defeated, we called it a day. 

The next day was spent visiting Central Park via Columbus Circle, the Staten Island Ferry, and the Financial District Downtown.  That post to come soon.

Wednesday, June 4, 2014

Wide Angle Wednesday!

Park Avenue Tunnel Entrance

Every Wednesday, I will post a couple of my favorite wide angle photographs.  I will consider anything wider then 20mm for these posts.  Since I use a Canon Crop sensor camera, 20mm would calculate to the equivalent to 32mm on a full frame camera.  

http://digital-photography-school.com/crop-factor-explained/ 

Guggenheim Skyward

The first shot in this post is from March 26th, 2014.  Canon 60D Tokina AT-X 116 PRO DX-II 11-16mm f/2.8 

Aperture: f/5.0
Focal Length: 11.0mm
Shutter Speed: 1/640s
ISO: 100


The final photograph is also from March 26th, 2014.  Canon 60D Tokina AT-X 116 PRO DX-II 11-16mm f/2.8

Aperture: f/5.0
Focal Length: 11.0mm
Shutter Speed: 1/400s
ISO: 320

Tuesday, June 3, 2014

For my Sister



My sister recently sent me a text stating that she was going to borrow our mother's camera to get some shots of her girls in their dance recital costumes.  She was looking for a little advice.  So this post will be what I've learned works for me and my advice to her.


Layover


I obtained a BFA in Theatre Production with an emphasis is Design/Technology.  I was required to take classes in all aspects of the theatre world, including directing.  This class has helped me with my photography, as you are always trying to create a picture on stage. Be conscious of your decisions with regards to composing an image.  Make sure the background is clean and clutter-free.  The only thing that should be in a photograph is the elements you put there.  Also be aware of any lines in the background, you want a fence to look like a flat horizon if that is the way the fence is in real life.  Never let a pole or tree sprout from your subjects head.  Always pay attention to everything that is in your viewfinder, not just your subject.  This piece of advice applies to any style of photography. 

My sister said that she was going to pickup a large piece of muslin for the background drop.  Since it is in the background, she should make sure there are no wrinkles, folds, stains, or anything else that is going to be distracting.  There should be enough material so that the only thing in the shot are the girls and the fabric.  The girls should stand a few feet in front of it, and combined with a wide aperture, should be able to be soft and out of focus.  

When photographing people, eyes are always the first place one looks.  When using a wide aperture, it can be easy for most of the face to be out of focus.  The eyes should be sharp as that is the first place people will look, they are afterall, the windows to the soul.  

However, since this is a shoot to capture the costumes, I would also recommend some of the full body shots to have a little narrower aperture so not only the eyes are in focus, but the entire costume. Also be aware of where you crop on the subjects body (http://petapixel.com/2013/03/04/a-guide-on-good-and-bad-places-to-crop-on-your-portrait-subject/).

She will be photographing her daughters in the living room, with a combination of window lighting and the lights inside.  The white balance of this setup could be problematic, so I suggest shooting in RAW.  That way, one is able to tweak the white balance after the shot with Lightroom, or the included Canon software.  (Here is just one of many articles about JPEG vs RAW: http://digital-photography-school.com/raw-vs-jpeg/)

My professional life is lighting. Understanding angles and quality of light is something I am familiar with, though photography and entertainment lighting are a little different.  Light is everything in photography; without it, there would be no photograph.  So always be aware of your lighting, the direction, quality, even the color.  This will make all the difference in the final product.


Since the shoot will be in her living room, she has a large window on either side of the room.  This may serve as a nice soft light. The more light, the faster your shutter sppeed and lower ISO you are able to use, helping the final image.


Playing with a flashlight will show how the angle of light changes the perception of the subject.  Harsh light will have a different look than a soft diffused source.  For a dance costume portrait of her daughters, I would aim for a soft diffused look. 


I also suggest a tripod to help stabilize the camera. Compose your shot, then it leaves you free to interact with the subject. I have made the mistake in the past of not be ready to shoot my daughter, and working with a toddler, there is a small window of opportunity with which to get them to follow directions.  Though her children are older, I suggest that all the camera settings are dialed in, so you have more time to get the shot.  As in life, being prepared is key.  

Some useful links:
http://www.lightstalking.com/how-light-aperture-time-and-sensitivity-affect-exposure
http://www.digitalcameraworld.com/2012/04/12/10-rules-of-photo-composition-and-why-they-work/

Force
The first shot in this post is from January 4th of 2014.  Canon 60D EF 40mm f/2.8 STM

Aperture: f/3.5
Focal Length: 40.0mm
Shutter Speed: 1/60s
ISO: 3200


The final photograph is from June 9th of 2012. Canon 60D EF-S 18-135mm f/3.5-5.6 IS 

Aperture: f/5.6
Focal Length: 39.0mm
Shutter Speed: 1/60s
ISO: 320
 

Replacement Camera



When my mother called me to tell me that she had won a golf outing in a raffle at her place of employment, I thought she was calling to offer it to me.  Even though I live in New York City, and she was in Phoenix, I was optimistic. But alas, the call was to find out what sort of camera I would recommend she purchase.  She didn't golf, so she was going to take the cash option.  

At the time, I didn't own a dSLR, though I had access to one at work, a Canon Rebel XSi.  I knew the limitations of the camera, and I know that my mother had experience with a Minolta film SLR.  My sister had two daughters, and my mother was basically just interested in taking good pictures of her grand daughters.  

I looked at all the options available at the time, and because I had Canon experience, I focused primarily on Canons.  I presented three options, the Rebel series (I don't remember the exact model at the time), the 50D, and the EOS 5D Mark II.  I tried to talk her into just purchasing the 5D Mark II and then just handing it over to me.  Needless to say, that plan did not work out, as she wanted to buy a camera for her use.  I ultimately decided to recommend the 50D for her.

It turned out to be maybe too much camera for her. The camera rarely sees any action outside of full auto.  But it was my first introduction to a camera that was above the Rebel line.  I wanted an xxD if I couldn't get a 5D I had decided.  It felt a little more solid in my hands then compared with the Rebel series.  The shutter sounded beefier, the burst rate was higher, everything was able to be tweaked just a little more.

Fast forward two years, and after owning my first dSLR, a Rebel T3i, for about 5 months, it was stolen from work.  My parents came into town shortly after this, and I was able to play with my mom's 50D again, deciding that my replacement would be a 60D instead of another Rebel.  After saving for a couple of months after the theft, I purchased the 60D from B&H Superstore in Manhattan.  I have now had that camera for two years, and am very happy with it.  Currently, I have no interest into upgrading to the 70D.  The only upgrade I would like is to a full frame camera, ideally the 5D Mark III.  But realistically, the 60D will be with me for a long time.

I fondly remember the print of one of my mom's shots from the Santa Barbara Botanic Garden.  I always wanted to be able to capture something I would be proud to display in my home.  The first photo in this post is from my mom's camera when we took a trip to Hyde Park, NY to visit Franklin D. Roosevelt's home.  These flowers were captured in his garden.  After understanding a little more about post processing, I revisited this photo to edit it how you see it now.  It also is one of the first photos I tried printing on metallic paper, and it is now displayed by my front door, though only a 5x7 print size.




The first shot in this post is from May 22nd of 2010.  Canon 50D EF-S 18-135mm f/3.5-5.6 IS



Aperture: f/5.6
Focal Length: 42.0mm
Shutter Speed: 1/200s
ISO: 100 


The final photograph is from March 30th of 2012. Canon Rebel T3i EF 50mm f/1.8

Aperture: f/3.2
Focal Length: 50.0mm
Shutter Speed: 1/640s
ISO: 100

Monday, June 2, 2014

First Post

In the beginning....

Zoom

I have always had a spark for photography.  As a kid, my mother owned a Minolta SLR that would always join us on family vacations.  As I grew older, she allowed me to play with it, maybe fire off a couple of shots.  I fondly remember after returning to our home after vacation, the rolls of film would be dropped off for processing.  A day or two later, we would retrieve the envelop of photographs, and all of us would enjoy reliving the great times we had just experienced on vacation.

Finally, sometime in high school, I was given my mother's old SLR.  Life soon got in the way, and by the time I had departed home for college, the SLR had been left behind.  I didn't take as many photos in college as I should have, but I was a poor theatre student whom couldn't afford film and development.  Why I never thought to take a photography course, I don't know, especially since the dark rooms were in the basement of the Theatre Building, if memory serves me right.

The next big step after college was a move to Brooklyn, NY.  The year was 2001.  I had a film point and shoot, and used it occasionally in the first 6-9 months of living in New York City.  I had seen digital cameras around, and my interest was peaked.  

My first digital camera was a Fujifilm point and shoot that was larger than a normal point and shoot.  I purchased it from ubid.com in the spring of 2002, and started taking it everywhere.  My girlfriend, who would become my wife several years later, was performing on a cruise ship, I was freelancing, so somedays I would just go into the city and start taking pictures of everything.  I took a cruise to see what my girlfriend's world at sea was like, and must have taken several hundred pictures of the food buffet.


"Your first 10,000 photographs are your worst" 
Henri Cartier-Bresson

Most photographers are familiar with the above quote from Henri Cartier-Bresson.  I believe it applies to anything one strives to do.  Outliers: The Story of Success by Malcolm Gladwell also supports this theory.  Needless to say, The first 10,000 of my photographs were bad.  But they helped me understand composition.  I also started to play with the Program Mode instead of fully auto, but still wasn't proficient at using a camera.

My next two cameras were little Sony point and shoot cameras, better sensors, larger files, smaller camera size.  I would take my camera with me on vacation, when traveling for work, and site seeing in the city when people came to see us.  During this time, I also was able to use a Canon Rebel that was available at my job.  I started honing my skills with a dSLR, started remembering how to use a camera on manual, what the aperture did, how it affects the final image.  Still though, I was shooting JPEGs, allowing the camera to make the processing decisions.  I also didn't delete many of the photos that should have never been imported. 

My wife and I were blessed with a baby girl in August of 2011.  Before that time, my most patient subject were our two chihuahuas, though even they would roll their eyes at me when I would bust out the camera.  Since my wife's family lives in Texas, and mine is still in Arizona, ever Christmas we would fly to one state or the other to spend the holidays with family.  Our baby's first Christmas was spent in Queens, and with the money that we normally would spend on flights, I spent on my first dSLR, a Canon Rebel T3i with the EF-S 18-135mm f/3.5-5.6 kit lens.

I chose Canon for a couple of reasons.  My job had a Canon, so I was already familiar with the layout and menus.  My mother and friend own Canon cameras, so I figured maybe eventually we could borrow each other's gear.  I chose the kit lens I did because that is the lens my mother had purchased with her 50D, and I thought it was better than the EF-S 18-55mm kit lens that I had access to at my job.  I am pleased with my decision, though it isn't on my camera as much these days, it still is used a lot.

With the new baby, I had a new subject.  I shot so many photos of her, and started keeping all of them even if they were a little out of focus.  But that practice would end soon, as I discovered the beauty of shooting in RAW, and those larger file sizes started adding up quickly.  The first 10,000 photographs with the new dSLR were marginally better than the point and shoots I had, but I would still consider most of them to be bad.

I struggled to get what my eye and mind saw onto the memory card.  I started to understand a little more that aperture not only allowed more light in when opened up (smaller number), but also controlled depth of field.  Focal length and its relationship to shutter speed was something else I started to learn.  The histogram began to be useful to me as I understood dynamic range and its impact on my final image.

I read everything I could get my eyes on, trying to absorb everything I could that had anything to do with photography.  Practice, practice, practice.  I started to get gear lust, thought that if I got this or that, my images would be better.  But with having a baby around, we didn't have disposable income, so I would just daydream about a fullframe camera, or some L glass.  

I was also trying to find my style.  I loved taking photos of New York City, and of the landscapes on our travels.  I started getting interested in HDR.  My early HDR work is overly processed.  Lightroom 3 and Photomatrix was added to my software arsenal, though I wasn't entirely sure what I was doing with each slider.  

The camera started going to work with me, I captured a couple of our events.  One of these days, I brought it to capture an event we had at the New York Stock Exchange, firing off brackets to create some HDR images.  Then, switched to my EF 50mm f/1.8 lens and went to the American Museum of Natural History for a client meeting.  Shot some at the Museum, some on the subway on the way back to the office.  That would be the last time I used that camera and lens, as my camera would be stolen off of my desk while I was in the back of the office.  But it wouldn't be the last of the images I would create.

Last shot
The first shot in this post is from August 3rd of 2012. One of my first attempts at a long exposure to get the light trails, I lucked out with the LIRR crossing the Clearview Expressway. Canon 60D EF-S18-135mm f/3.5-5.6 IS

Aperture: f/14.0
Focal Length: 18.0mm
Shutter Speed: 10s
ISO: 100

The last shot in this post is from April 1st, 2012. Canon Rebel T3i EF 50mm f/1.8

Aperture: f/2.0
Focal Length: 50mm
Shutter Speed: 1/60s
ISO: 400